Tag: Lightnin Hopkins

Featured Musician: Hank Williams Sr.

If you read one of my early posts about my new-found discovery of my enjoyment of country music, then you know that my love of this genre is relatively new to me. 

Like the blues, my passion started with a more contemporary bluesman (Lightnin’ Hopkins), but as I get deeper into the music, I uncover the artists behind them. In this case, I started with Townes Van Zandt and saw Hank Williams behind him.

Hank Williams died at the age of 29, but because of his more contemporary existence, we have MANY high quality recordings, photographs, and videos of him. This accessibility humanizes him in a way the old bluesmen were not, and so he becomes relatable.

Over the years, hundreds of artists have covered his songs and you can hear his music in movies and television shows as well. Hank Williams was a legend, and his influence is still felt today. 

Some of my favorite covers were by Ray Charles; two of the best were his covers of Your Cheating Heart and Take These Chains from my Heart and Set Me Free (which we luckily also have videos of!):

Here are a few curated selections of Hank Williams performing in the 1950s: 

Hank Williams also had a son, also named Hank Williams, who grew up to be a major country and country rock player. He filmed an interesting music video in the 1980s which featured special effects allowing him to play with his deceased father:

I hope you enjoy listening to Hank Williams as much as I do. If you listen to his lyrics you will uncover a truth and beauty not present in a lot of his contemporaries.

He was a real poet in a cowboy hat.  

 

Country Blues Basics Part 12: What is monotonic Bass?

Monotonic bass literally means single tone. In practice, it is the technique of playing a single note over a song’s melody. It gives songs a driving, down home feel as opposed to the bouncy feel of an alternating bass. 

Alternating bass is much better to learn first so you can really free up the thumb and begin to understand which bass notes are appropriate to play over a chord.

The end goal of these lessons is to truly free up the thumb and allow you to switch between alternating and monotonic bass to create the foundation YOU want to create while you play country blues music. 

You will hear monotonic bass a lot in Texas blues— check out Mance Lipscomb and Lightnin Hopkins to hear this technique in practice.

To demonstrate the monotonic bass, I will be playing Hey Hey by Big Bill Broonzy. Pay attention to the switching of what note is played depending on what chord I am playing. 

Hey Hey is in the key of E. I play the open low E string over the E sections (I chord), the open A string over the A sections (IV chord), and I play F# over the B section (V chord).

The B chord I use is the A chord shape below, moved up two frets. 

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Here is the demonstration:

Notice how I play single notes in the bass over the melody. I do not switch between the 1st and 3rd strings as I would while using the alternating bass technique.

Learning how to play this type of bass should be relatively straight forward. You will be using the same chord shapes, and in many respects, the thumb movement is simpler. 

In the next lesson we will be applying this technique to Robert Johnson’s blues standard Me and the Devil Blues. 

Featured Musician: Lightnin’ Hopkins

If I hadn’t heard Lightnin’ Hopkins, I would not be playing guitar anymore. After two months of bumbling around on my girlfriend’s mini-sized acoustic guitar, trying to strum an A chord, I began to question what I was doing banging around on this stringed box.

We have all had that moment when we try to learn a new skill and we rapidly progress but then hit a wall. 

My wall derived from being uninterested in the songs I was trying to play. I never liked playing with a pick, preferring to play with my fingers.

To try and remedy my sudden plateau, I Googled “best music to play on acoustic guitar.” One insightful poster mentioned a learner should try learning blues because it’s the basis of modern music. 

I knew I wanted to stick with acoustic guitar with my fingers, and the blues sounded intriguing. Not knowing that acoustic finger style blues is synonymous with country blues, I typed in ‘acoustic blues player old.’ 

Here’s what came up:

Immediately I thought that this is how a guitar should sound. From that point on, I knew I had to make my guitar sound like that-— I’ve been on the journey ever since.

The player in the video is Lightnin’ Hopkins, perhaps the most widely recorded country bluesman that ever lived. Hopkins was a Texan through and through. Music giants from the area like Stevie Ray Vaughan cite Lightnin’ Hopkins as a major influence in their sound. Some musicians like BB King are as bold as to claim without Lightnin’, there would be no rock and roll. 

Lightnin’ was brought into the main stream in 1959, and thanks to his prodigious output and charisma, we have several COLOR videos of him playing.

A lot of bluesmen had their standard guitar licks, and Lightnin’ was no exception. The aphorism ‘it’s not what you play, its how you play it,’ rings true with Lightnin’ Hopkins. He played in a free flowing, improvisational manner; paired with his powerful singing, he had an unrivaled presence and immediacy about him. 

Although Lightnin’ typically played in the keys of E and A, he would sometimes play old pop songs like Baby Take Me Back:

If there is one video that characterizes what I think of when I hear Lightnin’ Hopkins, it’s the video below. His poetic, improvisational, effortless style is very evident:

If you are interested in learning more about Lightnin, check out this documentary that was made in the 1970s. Watching him live his life is very interesting, and at times humorous.